QUTB-MINAR

Qutb-Minar in red and buff standstone is the highest tower in India. It has a diameter of 14.32 m at the base and about 2.75 m on the top with a height of 72.5 m.Qutbu’d-Din Aibak laid the foundation of Minar in AD 1199 for the use of the mu’azzin (crier) to give calls for […]

Read More

KONARK SUN TEMPLE

    Sun Temple of Konark, built in the middle of 13th century, is a massive conception of artistic magnificence and engineering dexterity. King Narasimhadeva I, the great ruler of the Ganga dynasty had built this temple, with the help of 1200 artisans within a period of 12 years (1243-1255 A.D.). Since the ruler used […]

Read More

KAILASA TEMPLE, ELLORA

  Kailasa Temple is one of the 34 monasteries and temples that constitute Ellora Caves. They were dug side by side in an area of 2 km in the wall of a high basalt cliff of the Sahyadari Hills. The temple – cave number 16 – has traces of Pallava style and bears resemblance to Dravidian […]

Read More

BODHISATTVA PADMAPANI

    The Ajanta Caves caves have been described by the government Archaeological Survey of India as “the finest surviving examples of Indian art, particularly painting,” and consists of about 30 rock-cut Buddhist cave monuments dating from approximately the 2nd century BCE to about 480 or 650 CE. The Bodhisattva Padmapani sits among a crowd of devotees, both […]

Read More

HOYSALA ARCHITECTURE

  Hoysala architecture is the building style developed under the rule of the Hoysala Empire between the 11th and 14th centuries, in the region known today as Karnataka, a state of India. Hoysala influence was at its peak in the 13th century, when it dominated the Southern Deccan Plateau region. Large and small temples built during this era remain as examples of […]

Read More

AJANTA CAVES, MAHARASHTRA

    The Ajanta Caves in Aurangabad district of Maharashtra state of India are about 29 rock-cut Buddhist cave monuments which date from the 2nd century BC to about 480 or 650 CE. The caves include paintings and rock cut sculptures described as among the finest surviving examples of ancient Indian art, particularly expressive paintings that present emotion through gesture, pose and form. According to UNESCO, these are masterpieces […]

Read More

MATTANCHERRY MURAL

The importance of the palace lies in its mural paintings which belong to an exclusive school of artists, whose technique and workmanship is considerably different from the other schools of Indian art. These murals are in the best tradition of the Hindu art, religious, decorative and stylized. They are painted in rich, warm colours and […]

Read More

OLD MURALS OF MATTANCHERRY PALACE

  The glory of the palace rests on the large number of murals, executed in the best traditions of Hindu temple art, which are religious, decorative and stylised. The murals have been painted in rich warm colours in tempera technique The king’s bedchamber or Palliyara, to the left of the entrance and occupying the southwest corner […]

Read More

MATTANCHERRY MURALS AND THEIR FEATURES

      The importance of the palace lies in its mural paintings which belong to an exclusive school of artists,whose technique and workmanship is considerably different from the other schools of Indian art. These murals are in the best tradition of the Hindu art, religious, decorative and stylized. They are painted in rich, warm […]

Read More

HISTORY OF MATTANCHERY PALACE

  The Palace was built and gifted by the Portuguese as a present to the Raja of Cochin around 1555. The Dutch carried out some extensions and renovations in the palace in 1663, and thereafter it was popularly called Dutch Palace. The rajas also made more improvements to it. Today, it is a portrait gallery of the […]

Read More
error: Content is protected !!